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The Seven Basic Plots - Christopher Booker
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23 The Ego Takes Over (III): Quest, Voyage and Return, Comedy

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2022-02-24 02:42:38
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  • Introduction and historical notes
  • Prologue to Part One
  • Overcoming the Monster
  • 2 The Monster (II) and the Thrilling Escape From Death
  • 3 Rags to Riches
  • 4 The Quest
  • 5 Voyage and Return
  • 6 Comedy
  • 7 Comedy (II): The Plot Disguised
  • 8 Tragedy (I): The Five Stages
  • 9 Tragedy (II): The Divided Self
  • 10 Tragedy (III): The Hero as Monster
  • 11 Rebirth
  • 12 The Dark Power: From Shadow into Light
  • Epilogue to Part One: The Rule of Three (the role played in stories by numbers)
  • Prologue to Part Two
  • The Dark Figures
  • 14 Seeing Whole: The Feminine and Masculine Values
  • 15 The Perfect Balance
  • 16 The Unrealised Value
  • 17 The Archetypal Family Drama (Continued)
  • 18 The Light Figures
  • 19 Reaching the Goal
  • 20 The Fatal Flaw
  • The Ego Takes Over (I): Enter the Dark Inversion
  • 22 The Ego Takes Over (II): The Dark and Sentimental Versions
  • 23 The Ego Takes Over (III): Quest, Voyage and Return, Comedy
  • 24 The Ego Takes Over (IV): Tragedy and Rebirth
  • 25 Losing the Plot: Thomas Hardy -A Case History
  • 26 Going Nowhere: The Passive Ego. The Twentieth-Century Dead End - From Chekhov to Close Encounters
  • 27 Why Sex and Violence? The Active Ego. The Twentieth-Century Obsession: From de Sade to The Termin
  • 28 Rebellion Against `The One': From Job to Nineteen Eighty-Four
  • 29 The Mystery
  • 30 The Riddle of the Sphinx: Oedipus and Hamlet
  • Telling Us Who We Are: Ego versus Instinct
  • 32 Into the Real World: The Ruling Consciousness
  • 33 Of Gods and Men: Reconnecting with `The One'
  • 34 The Age of Loki: The Dismantling of the Self
  • Epilogue: The Light and the Shadows on the Wall
  • Author's Personal Note
  • Glossary of Terms
  • Bibliography
  • Index of Stories Cited
  • General Index
  • Yet what is astonishing is how incurious we are as to why we indulge in this strange form of activit
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