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张南庄--何典
<span style="display: inline;" class="all hidden"> 《何典》是一部很奇特的中国古典小说,它采 用了“幽默”的文体,在中国古典小说中别具一格。小说通过“下界阴山”“鬼谷”中的“三家村”土财主活鬼一家两代的不同遭遇,讽刺了阎罗王与妖魔鬼怪所在 的阴曹地府的种种。它一反旧小说的“文人气”,无章无典,无规无矩;满目... -
加西亚马尔克斯--百年孤独(高长荣译本)
1982年诺贝尔文学奖。 获奖理由：“由于其长篇小说以结构丰富的想象世界，其中糅混着魔幻于现实，反映出一整个大陆的生命矛盾”。 (<span style="color:red">子乌注：网上高长荣版的第八章结尾大部分都缺了一大段，我找了很久，补全了那段，但是怀疑其他地方可能还有类似问题，希望大家帮忙校对。</span>)... -
LEAN IN - Sheryl Sandberg
Thirty years after women became 50 percent of the college graduates in the United States, men still hold the vast majority of leadership positions in government and industry. This ... -
Jennifer Hudson - I Got This How I Changed My Ways and Lost What Weighed Me Down
A personal and inspirational memoir from Grammy and Oscar winner Jennifer Hudson, focused on her amazing transformation as she embraced a healthy lifestyle and lost over eighty pou... -
Columbine - Dave Cullen
SUMMARY: On April 20, 1999, two boys left an indelible stamp on the American psyche. Their goal was simple: to blow up their school, Oklahoma-City style, and to leave "a lasting im... -
Cheryl Strayed - Wild- From Lost to Found on the Pacific Crest Trail
A powerful, blazingly honest, inspiring memoir: the story of a 1,100 mile solo hike that broke down a young woman reeling from catastrophe--and built her back up again. At twenty... -
American Gun A History of the U.S. in Ten Firearms - Chris Kyle
Chris Kyle—fallen hero and #1 bestselling author of American Sniper—reveals how ten legendary guns forever changed U.S. history.At the time of his tragic death in February 2013... -
![[Chang_Emily]_Brotopia(z-lib.org)](/uploads/projects/3c354aef3cb8b45ae3c42e39e176b319/cover.jpg)
[Chang_Emily]_Brotopia(z-lib.org)
<b><b>Silicon Valley is a modern utopia where anyone can change the world. Unless you're a woman. </b></b><br>For women in tech, Silicon Valley is not a fantasyland of unicorns, vi... -
Tattoos on the Heart - Gregory Boyle
Tattoos on the Heart -
Story_ Style, Structure, Substance, and the Principles of Screenwriting - Robert Mckee
Story: Style, Structure, Substance, and the Principles of Screenwriting